Friday, April 29, 2022

Curb Your Enthusiasm (Season 2)

Curb Your Enthusiasm had its growing pains, but Season 2 is generally considered to be the point where the show really finds its voice, and I absolutely agree.

Season 2 is the first Curb Your Enthusiasm season to have a central story arc, albeit not one of the better ones. The main premise is that Larry and Jason Alexander (who plays George in Seinfeld) decide to pitch a show about an actor who is only known for a single character no matter what they do, essentially poking fun at the infamous Seinfeld Curse (which has since been broken thanks to Veep). Much of the season has Larry trying out a bunch of channels, and even replacing main leads at one point, but I couldn't help but feel like this storyline was a bit undercooked and ultimately predictable. There were stretches of episodes where Larry's show wasn't even mentioned, and given how Larry only really got a win in a single episode so far (Trick Or Treat), it was pretty obvious that he wouldn't actually be able to successfully pitch his show. Later in Curb, some of these storylines do actually end on a relatively happy note, but that hasn't really started to happen yet. Regardless, the sheer presence of a connective storyline already does a lot to make this season an improvement over its predecessor, it's just that it's not as ambitious and well-thought as in later seasons.

As for the general quality of its episodes, Season 2 of Curb Your Enthusiasm is generally a pretty huge improvement on the first. Where in that season there was only really one episode I'd call great (Beloved Aunt), Season 2 had a bunch of really strong episodes, particularly the season's first three episodes and the one-two punch of The Doll and Shaq. However, this season was also a lot more uneven than the first, as while it had higher high points, it also had lower low points. Right before that aforementioned one-two punch, we got The Thong and The Acupuncturist, easily the two weakest episodes to date. I think this season put a bit more of an emphasis on the cringe comedy, which means that when it works, it can be absolutely hysterical, but when it doesn't, it can lead to episodes that just feel uncomfortable rather than funny. Thankfully, Season 2's standalone episodes were successful more often than they weren't.

This still isn't Curb at its peak, but there were way more top-notch episodes that are worth talking about than in Season 1:

Trick Or Treat: Curb Your Enthusiasm episodes tend to hinge on their pay-offs, and Trick Or Treat has one of the best payoffs ever. While the whole Wagner subplot is funny on its own, Larry using an orchestra to play the song in front of the guy who criticized him for humming in it the first place is so goddamn petty you can't help but love it. Also, the "Bald Asshole is a hate crime" exchange is one of my favorites in the season.

The Doll: The Doll was definitely one of my most fondly remembered episodes of the show, and it holds up incredibly well. While the highlight is definitely best character Susie's hysterical outburst, the whole episode just crosses the line and keeps going, from Larry cutting the doll's hair, to decapitating another doll, to putting the doll head in his pants, to that dark but hysterical final scene.

Shaq: Coming directly after the very dark and uncomfortable The Doll, this was probably one of the most feel-good episodes of the whole show! Larry accidentally tripping Shaquille O'Neil is such a hilarious and surreal premise, and I love how the action causes everyone to want to keep their distance from Larry, which for a fairly antisocial curmudgeon like him, is a dream come true. I also have to say that his reconciliation with Shaq was actually really cute, even if it earns Larry his bad luck back.

Overall, Season 2 of Curb Your Enthusiasm is generally an improvement on the first, with a solid central story arc and way more great episodes. However, this season is also pretty uneven and its main storyline can feel a bit thin and predictable.

4/5 Stars

Wednesday, April 27, 2022

Curb Your Enthusiasm (Season 1)

Curb Your Enthusiasm was one of the first TV shows I ever binged, I even watched it before Seinfeld... and I don't remember anything about it. So I decided to rewatch the entire show, and I definitely missed a lot.

Curb Your Enthusiasm is about Larry David, a fictional version of the actual actor, essentially living out his life and getting himself into uncomfortable misunderstandings and committing social faux-pas. It's essentially a mockumentary version of Seinfeld and contains much of the appeal from that show, such as poking fun at social issues, hilariously dramatic line deliveries, and Rube Goldberg-esque plotlines where Larry's actions always have consequences. The show does do a few unique things compared to its predecessor. For starters, a lot of it isn't actually scripted, with much of the dialogue being purely improvisational. On one hand, this doesn't give Curb the same laughs-per-minute ratio as most of my favorite sitcoms, but it does lend the series a distinct conversational style that leads to a lot of very memorable one-liners. In addition, unlike the titular character in Seinfeld, Larry David has a wife, Cheryl, and she is a pivotal part of the show. With how colorful Larry and his friends are, this show needs a "straight man" character to really get the most out of its cringe comedy, and Cheryl's reactions are always gold.

However, Season 1 of Curb Your Enthusiasm is probably the weakest one in the show, at least from my memory. It's not necessarily bad, it's actually really consistent in its quality, but you can definitely tell that Larry David and the crew are still figuring out the show. Certain characters like Susie Greene took a while to be fully-formed, some of the show's biggest running-gags like the stare-down and "prettay-prettay-good" haven't shown up, and probably biggest of all, this is the only season to not have a story arc in it. Season 1 of Curb Your Enthusiasm is pretty much entirely episodic, which is a shame since the story arcs can be some of the best things about later seasons. There are a few subplots about Jeff's parents, Cheryl getting a necklace, and Richard Lewis's girlfriend, but they don't really get paid off in the finale either, which is mostly just a standard (albeit entertaining) episode of the show. I also don't think this season is quite as laugh-out-loud funny as later seasons end up being, outside of a few notable moments of hilarity.

While most of this season was pretty middle-of-the-road, there was one noticeable standout:

Beloved Aunt: This was an episode I remembered very well from the first time I watched Curb Your Enthusiasm, so I spend much of this episode struggling to hold in a goofy smile, knowing what was coming. That infamous "aunt" typo is hands down the funniest joke of this season, and the subsequent reveal is the point where this episode goes from solid to amazing.

Overall, Season 1 of Curb Your Enthusiasm does a good job of establishing the series as distinct from its predecessor, but the show isn't quite as funny or fully-formed as in later seasons. It's still nowhere near the rough start that Seinfeld had, but the show is definitely still going through its growing pains.

2/5 Stars

Sunday, April 24, 2022

Heartstopper (Season 1)

Despite how many high school TV shows and movies are made, I rarely actually feel like I can relate to most of them. In my high school, we were way more focused on our actual academics than on romance, and unlike your average TV show, about 90% of my friend group was in the LGBT community. It's why I like slice of life anime so much, they focus way more on the characters taking classes, attending clubs, and working towards good grades than most American shows, but what about the queer friend group part? Well, it seems Heartstopper has finally gotten that part covered.

Heartstoppper is a simple high school romance about an out gay kid (Charlie) developing a crush on his new partner (Nick) in class, and it's that simplicity that makes it so appealing. So many shows and movies with LGBT characters in them tend to either have them be a footnote in an otherwise higher stakes tale or make them the focus but at the cost of them being put through a ridiculous amount of misery and heightened drama. Looking at you, Euphoria. Heartstopper being a grounded, simple, and wholesome romance is a breath of fresh air, and while nothing it does is ground-breaking, it's still all pretty well thought-out. Like how Nick's struggle with his bisexuality parallels that of Charlie's ex-boyfriend, but his transparency and constant kindness towards Charlie demonstrates how much of a better fit (and person) he is. Once again, none of this is subtle (in one episode, two female characters kiss in front of a rainbow spotlight, I wonder what that symbolizes?), but it works. And the writing had a nice blend of British sarcastic wit and dialogue that actually feels like something teenagers would say. Looking at Riverdale, this time. I'm also glad that it wasn't just Nick and Charlie in the LGBT community, a large portion of the main cast was queer (Tara and Darcy are lesbians, Elle is trans) and almost all of them were likable. My favorite characters here were Nick and Elle, the former being an absolute sweetheart whose coming out story was the most compelling of the cast, and the latter for being a trans character whose character arc is entirely unrelated to her being trans. The only one I didn't like was Tao, whose clinginess and jealousy got annoying fast.

However, while the story itself is fantastic, the way it's told and presented is a lot more of a mixed bag. I never really got what people meant when they said Netflix Original Series looked cheap... until now. There are some things I like about the show, like the comic panel scene transitions that pay homage to the show's webcomic roots or the fact that each episode's title and credits have a different look. But on the other hand, the set design looks oddly sterile given this is supposed to take place in a high school, the bloom filter and lens flares are way up, and the handheld camera used for many of the shots feel kind of lazy. I checked out the webcomic the show is based on (which is honestly way better and way less Netflix-y) and I noticed its storyboarding is way more dynamic, and even more, the show's best shots are the ones based on the comic! Also, I know this is a bit of a nitpick but Laid-Back Camp spoiled me on depicting texting in TV shows so whenever characters texted here I couldn't help but compare it. I'm also not a big fan of the show's many indie pop tunes, though that's more of a personal taste. I've always preferred rock or indie rock soundtracks like Scrubs, FLCL, or Scott Pilgrim, but if you're a fan of this type of alternative pop, you'll probably love Heartstopper's music.

It's hard to pick standout episodes in a short Netflix miniseries like this, but there were two notable ones:

Kiss: I found Kiss to be a very fun and focused episode, mostly based around Charlie and Nick going to school-bully Harry's birthday party, and sharing their first kiss. And at the same time, Tara and Darcy share their first public kiss. Two first gay kisses at the birthday party of the show's first homophobic character, just fantastic. 

Boyfriend: This was a (mostly) very satisfying finale that brought the whole cast together for the big rugby match the whole show was building up towards. Nick and Charlie spend the whole finale essentially tying loose ends and resolving any remaining issues they have left, before ending the season properly starting their relationship. It's a very sweet finale, though the two almost kisses between Tao and Elle is almost in hilarious in how bullshit it is.

Overall, Heartstopper is the type of show I've wanted for quite a while, a wholesome high school romance with a mostly likable LGBT cast. While it suffers from a short length and Netflix's typically shoddy production values to the point where I probably wouldn't call it great, I still couldn't be more happy that this show exists. And that's not even getting into the fact that this is a webcomic adaptation, I can't begin to explain how much that opens the floodgates for the future. We could get adaptations of Octopus Pie, Check Please, Dumbing Of Age, Rain, my mind is already racing.

3/5 Stars

Saturday, April 23, 2022

Episode Rankings: Zombie Land Saga

Zombieland Saga is a very strange idol anime, juggling between satirizing idol culture, being a manic comedy, dealing with some really dramatic themes, and also being filled with show-stopping tunes and performances. While I think this anime does some of these things better than others, I can't deny that this is one of the most unpredictable, bonkers, and surprising I've seen to date. Here's my ranking of its episodes so far:

  1. All It Takes Is For You To Be There SAGA (S2.11)
  2. Go Go Neverland SAGA (S1.08)
  3. Good Morning Again SAGA (S1.12)
  4. The SAGA Of How These Zombies Will Get Their Revenge (S2.10)
  5. I Love Hip Hop SAGA (S1.02)
  6. Pure-Hearted Electric SAGA (S2.04)
  7. The Greatest SAGA In History (S2.12)
  8. A One-Of-A-Kind SAGA (S1.11)
  9. Mai Mai Revolution SAGA (S2.07)
  10. But It's Zombiemental SAGA (S1.07)
  11. Though My Life May Have Ended Once By Some Twist Of Fate I Have Risen, And If Song And Dance Are To Be My Fate, Then Carrying The Memories Of My Comrades In Heart As I Sally Forth Shall Be My SAGA (S1.09) - Okay, I'm sorry, but what the hell is this episode title?!
  12. The SAGA Incident: Part 2 (S2.09)
  13. Good Morning SAGA (S1.01)
  14. Walking Bet SAGA (S2.06)
  15. Because It's Sentimental SAGA (S1.06)
  16. Good Morning Returns SAGA (S2.01)
  17. The SAGA Incident: Part 1 (S2.08)
  18. Dead Or Live SAGA (S1.03)
  19. The Acoustic SAGA Of Love And Youth (S2.03)
  20. No Zombie No Idol SAGA (S1.10)
  21. The SAGA Of An Almost-Broken Radio (S2.02)
  22. Warming Dead SAGA (S1.04)
  23. Little Boppe Bope SAGA (S2.05)
  24. The Nice Bird SAGA In Your Heart (S1.05)

Zombieland Saga Revenge (Season 2)

This was one of the weirdest seasons I've ever watched, of anything. The pacing was weird, the ending was weird, the core premise was weird, it was all so unconventional! But does that make this a better or worse season than the first? I'm not sure...

Where the first season ended with Franchouchou's biggest success yet, Season 2 starts with a time jump right off the heels of their greatest failure, with Kotaro nowhere to be seen. It's a gusty move to pull such an awful Happy Ending Override, but it leaves the rest of the season to focus on Franchouchou trying to pull off their big comeback. Frankly, most of this season is actually pretty episodic, with Franchouchou slowly improving their reputation as it goes on. Although, the pacing during this season was strange, we had three flashback episodes in a row near the end. But despite that odd choice, Revenge makes sure to end on a bang. The massive three-part arc that ends off the season is climactic and puts a lot of important events into a new context, making that rough start a bit better in hindsight. I particularly like the concept of this "Saga curse", which prevents anyone from bringing fame and fortune to it. It leaves me wondering about its influence on certain characters (most notably Sakura's awful luck), and it adds a nice element of fighting fate to the anime.

But what about the episodic stuff? Compared to last season, which spent a lot of time going over the characters' backstories, poking fun at the idol industry, and mining some juicy drama out of it all, I felt like much of Revenge's episodic stuff was a bit more comedic. Lily essentially gets to hijack the show for an episode, Tae gets an entirely comedic episode where she wanders around, and Ai and Junko's second two-parter doesn't deal with the same heavy themes as the first. Nothing this season hit the same as Lily coming out, or Sakura's depression, or Junko's time displacement, but I can't say some the comedy didn't really work. I thought Maimai's episode was absolutely adorable, Tae is always a joy to watch, and overall, I think this season was funnier than the first. As for the presentation, I think the CGI animation was improved a lot, but there were noticeably less new songs this time around, with a smaller variety of genres. It's a shame, that was something I found really cool about the first season.

Despite my gripes, Revenge did have its great episodes, particularly near the end:

Pure-Hearted Electric SAGA: The ending of this episode had my favorite concert of the entire anime. A stellar power rock song headlined by the zombie with the best voice (Junko), simultaneously being a fun performance to watch and a satisfying resolution to this season's first two-parter, and ending with a reprise of the EDM scene from last season? Just pure, unadulterated awesome.

The SAGA Of How These Zombies Will Get Their Revenge: Sure, this one was a bit of an info dump, but as mentioned above, I loved the Saga curse twist, and it was great to finally learn what happened with that failed concert.

All It Takes Is For You To Be There SAGA: I was skeptical when I saw all of Saga get flooded, but I love where it took the anime. It was a way to trap Franchouchou in a room with the rest of Saga, perfectly illustrating their role in helping the prefecture out. Even with the risk of being outed as zombies, the main cast puts everything into supporting their fellow civilians and even performing for the kids. And it leads to two great moments, one being Okaba coming around to the zombies, and the other being Franchouchou's makeup cracking in the middle of a concert, only for the kids watching to claim they can't be zombies because they're too cute.

The Greatest SAGA In History: I'll be honest, while I loved last episode, this finale was a bit weaker than the first, mostly being a greatest hits concert for Franchouchou. However, it was still a really satisfying and climactic finale with a hysterical Avengers Endgame reference and one of the most out-of-left-field cliffhangers I've seen since Agents Of SHIELD's fourth season (oh wait, they're kinda the same cliffhanger, aren't they?).

Overall, Zombieland Saga Revenge was a strange season, with odd pacing, a rough start, and the loss of several elements that I liked about the first season. However, its manic energy, surprisingly epic ending, and intriguing story beats still made for a fun time even though I found this one to be a bit weaker than its predecessor.

3/5 Stars

Thursday, April 21, 2022

Zombieland Saga (Season 1)

I've never seen any idol anime before, though it seems like the type of genre I'd enjoy. I like music, I like colorful casts of characters, I like cute slice of life shenanigans. Hell, one of my favorite animes is K-On, that ones basically about a band! But which one do I start with... how about the one with zombies in it?

Zombieland Saga is an anime about an idol group of zombies, brought to consciousness by Kotaro with the purpose of revitalizing a prefecture called Saga. However, Kotaro is kind of an idiot, so most of the zombies aren't exactly idols. Two are, Ai and Junko, but then there's also the child actor Lily, biker gang leader Saki, Meiji-era courtesan Yugiri, and average high school student Sakura. All of the zombies are from different time periods and died in a variety of different ways, and what is probably the most compelling aspect of this series is the cast grappling with being zombies, being displaced out of time, and having recently been killed. Subplots like Ai being traumatized by being killed by a lightning bolt, Lily unintentionally running into her father, and Sakura struggling with what she feels is a seemingly endless stretch of poorly-timed bad luck (totally felt that, by the way) are really fascinating and manage to flesh out the characters. This anime is also really cool for how it critiques and explores the concept of idol culture, like how Junko and Yugiri have to adapt to different styles of performance compared to their time periods, or how Kotaro feels like a caricature of idol managers.

However, while Zombieland Saga nails the dramatic elements, the rest of the series feels a bit more hit-or-miss, especially when it comes to the comedy. There are several moments that made me laugh here and there, particularly when it comes to the still-a-mindless-zombie Tae, but there were also plenty of jokes that fell flat, especially with Kotaro, whose incessant screaming got very annoying fast. Episode 5, in particular, was almost entirely a standalone comedy-focused episode that felt a bit meandering. I also found the overall presentation to be a bit hit-or-miss. On the good side, I was very impressed with how the zombies managed to remain cute and likable despite being... you know, dead and rotting. I also thought the music was generally pretty solid, mostly due to its variety. There wasn't just pop here, there's death metal, power rock, EDM, and best of all, rap. That rap battle in second episode is hands down the best song of the season and probably my favorite scene in general. However, one thing I did find very shoddy about the presentation was the CGI concert scenes, that frankly looked pretty awful and distracting. These were supposed to be some of the most important scenes of the show, and they just didn't land as well because of it.

While this season was pretty uneven, it did have some high high points:

I Love Hip Hop SAGA: While most of this episode was solid, introducing the rest of the cast as they deal with skepticism about Kotaro's plan, the rap battle that ended it was hands-down my favorite sequence of the season. The animation is at its most fluid and expressive, the comedy timing of the lines and background elements are fantastic, Sakura and Saki have genuinely great flows, and the shamisen beat works surprisingly well. Honestly one of the coolest scenes ever.

Go Go Neverland SAGA: If you've seen some of my past reviews, you'd probably know that LGBT (and especially trans) representation is always a big win in my book. And believe or not, Zombieland Saga doesn't just have trans rep, Lily, one of its main characters is trans! Go Go Neverland Saga tackles Lily's backstory, and between Lily's puberty angst and the rift between her and her father, it's absolutely heartbreaking. I love how supportive the rest of the group is for her throughout the episode, even Kotaro, the prickly Saki, and those who aren't even from this time period. But it's not just about the rep, this episode also deals with the danger that one of the zombies (except for obviously Yugiri) could be identified by someone who knew them, along with the fact that the zombies are never going to age. It's Zombieland Saga at its dramatic best. Oh yeah, and the performance wasn't CGI this time!

Good Morning Again SAGA: I wasn't really expecting Sakura to become my favorite character, for all intents and purposes she seemed like your standard clumsy and optimistic main character, but this season's depiction of her depression hit me shockingly hard, and it made for a very climactic and satisfying finale where she overcomes it to give a fantastic final performance. It was also surprising how many plot twists this finale had, from Kotaro's true identity, to the solid cliffhanger. 

Overall, Zombieland Saga has been a fine enough first idol anime. The drama and character work at the show's core is incredible, but the hit-or-miss comedy and inconsistent animation does drag the show down quite a bit.

3/5 Stars

Tuesday, April 19, 2022

Severance (Season 1)

I think about Mr Robot a lot. I know I bash the ending a lot but that's because the rest of the show was so good, it was in the running to be one of my absolute favorites, after all. One of the things I loved about it was how off-kilter everything (especially the cinematography) was, it made me feel on edge for the whole show. Nothing I saw since ever captured that same unsettling vibe, until Severance came around. And it's really good to boot! Let's hope it manages to keep this up...

Severance is a show about the workers of a company called Lumon, who splits the memories of their workers between work and life, meaning they don't remember anything that goes on inside the office when not at work, and in the office, they don't remember anything else about their life. It's intended to fix the work-life balance issue, allowing workers to keep their home life out of their work and their work out of their home life, while also letting them essentially be mindless drones while at work who don't know any better. It's a complex but very unique Black Mirror-esque premise, and while the show establishes pretty early on that this is a bad idea, there's still a gripping mystery about what really goes on in Lumon and what secrets the bizarre and mysterious company holds. Severance is very much a psychological horror show, and it does a great job of showing off how terrifying things are for the in-office memories (aka the Innies). It's the type of horror I adore. No jumpscares, no excessive gore, no gross-out scares, it's all intellectual. And best of all, despite essentially being a mystery box show of sorts, the ending absolutely lived up to all that payoff. This isn't WandaVision, this season didn't just end on a stellar note, it had one of the best season finales I've seen in a very long time. 

While Severance has a fantastic hook and mystery, it's really the entire production that helps it really stand out. In particular, I think the acting is phenomenal across the board. Adam Scott and Zach Cherry both pull off convincing dramatic shifts, John Turturro and Christopher Walker are adorable, Britt Lower and Tramell Tillman are revelations as Helly and Milchick respectively, and Patricia Arquette makes for a terrifying and unpredictable main antagonist. I really like all of the characters here, but the cast's performances elevates every single one of them. In addition, the overall presentation of Severance, from the sarcastic and blunt dialogue, to the at times off-center cinematography, to the haunting liminal set design of Lumon's offices, to Theodore Shapiro's dissonant score makes for a very unnerving show that heightens the suspense even more. As mentioned above, it gives me Mr Robot vibes in the best way possible. However, this does lead to my one issue with the show. The scenes in Lumon are so gripping, tense, eerie, and visually stunning that the scenes which take place outside of the office, focusing on the Outies, end up being the weakest part of the show a lot of the time. They're not bad, mind you, they just don't live up to how fantastic the rest of the show is.

Here are some of the episodes I found to stand out especially well:

The You You Are: This was easily one of Severance's most suspenseful episodes, particularly in regards to Helly. She pulls off her most successful attempt to escape Lumon yet, only for her Outie to flat-out state she doesn't see her Innie as a person in a massive gut punch of a scene. The final five minutes had me on the edge of my seat wondering what she'd do next, only for her to attempt to kill herself in a truly unfair cliffhanger. Also, the scene at the funeral was one of my favorite "outside" scenes of the show.

Defiant Jazz: That "music dance experience" scene was easily one of the highlights of the season, dark, dissonant, shocking, and containing Zach Cherry's best moment of acting. But that was just one scene in an otherwise really fantastic episode, which also included the shocking death of Graner, Burt's retirement, Irving finally turning against Lumon, and the reveal that Mark's wife was Mrs Casey who, as we know very well, isn't dead at all.

The We We Are: Despite my complaints about the "outside" scenes, The We We Are takes place almost entirely outside the office, and it was the best episode of the show by a mile. The usage of cross-cutting between the different characters, the score evoking a ticking clock, and the many shocking twists and reversals made for one of the most tense and anxiety-inducing episodes of television I've ever seen. The episode starts with the bombshell reveal that Helly is an Eagan, and things just keep spiraling from there, with Devon learning the truth about Lumon, Innie Mark realizing Casey is his wife, the reveal that Burt has a husband, Helly tearing apart Lumon in a public speech, and Dylan being forced to pull the plug at the very last second. What an astonishing episode of television, the best season finale I've seen since Michael's Gambit.

Overall, Severance makes me happy. Not the subject matter, of course, this is a very upsetting show, it just makes me happy whenever I watch a new show and come out thoroughly impressed. Severance is a really great series, with a creative premise, gripping mystery, brilliant cast, fantastic presentation, and a killer ending. Ben Stiller & crew have a stellar hit on their hands and I hope the show will continue to improve as it goes on.

4/5 Stars

Monday, April 18, 2022

Episode Rankings: Magia Record

Magia Record... isn't that great. It pains me to say this because I love the Madoka franchise so much, and I actually really enjoyed the first two seasons of this spinoff, especially the second. However, Magia Record didn't just not stick the landing, it pulled an ending so bad that it pretty much ruined the whole show, while also being a complete misunderstanding of everything that makes the franchise so special. Unfortunately, I won't be able to recommend this one, but I'm still going to rank its episodes:

  1. A Faint Hope (S1.13)
  2. I Had A Feeling We Could All Become Magical Girls Together (S2.01)
  3. Can't You Accept This? (S2.04)
  4. You're Not Strong At All (S2.08)
  5. There's No Place For You Here (S1.05)
  6. You're Nothing Like Her (S2.02)
  7. I Want To Go Home With You (S1.07)
  8. My Name (S1.10)
  9. Why Is This So Unbearable? (S1.12)
  10. Isn't There Too Much To Bear (S2.03)
  11. This Is Something Only I Can Do (S2.06)
  12. Sorry For Making You My Friend (S1.03)
  13. I'll Do Anything (S1.06)
  14. A World With Just Me (S1.09)
  15. Have You Heard? That Rumor About The Magical Girls (S1.01)
  16. We Won't Forgive Anyone Anymore (S2.05)
  17. We Failed (S3.01)
  18. You Don't Know Anything (S2.07)
  19. Memory Museum At 3PM (S1.11)
  20. How Long Do We Continue Being Magical Girls? (S3.03)
  21. You Definitely Shouldn't Respond (S1.08)
  22. It's Proof Of The End Of A Friendship (S1.02)
  23. All The Girls Disappearing (S3.02)
  24. This Isn't The Past (S1.04)
  25. No One Knows Our Record (S3.04)

Magia Record (Season 3)

I've been a bit of a Magia Record defender in my reviews of the first two seasons. I very much enjoyed the flawed first season, and I'd actually say Season 2 is genuinely great, perfectly worthy of the Madoka franchise, with its only major issue being the fact that it was cut short. However, now that Season 3 is out... I'm sorry, I can't defend this show anymore. Season 3 of Magia Record isn't just a bad ending to the anime, it's an extreme overcorrection on the part of Shaft. After all those criticisms about Magia Record not being dark enough, we get the most grimdark piece of Madoka media ever with its final season, completely misunderstanding the franchise's main appeal. With only four episodes, I want to go over every single one and outline the things this season did well, as well as the many things it screwed up on:

We Failed: This was a decent first episode. It took me some time to register that it was entirely a flashback, but I think finally revealing the backstory of Ui and the Doppel system was a good way to clarify things going into the final few episodes. Seeing Ui, Nemu, and Touka try to figure out their own solution to the Witch system is actually a really cool idea, perfectly in line with one of the franchise's biggest constants. However, the fact that this was pretty much entirely a backstory episode meant We Failed was also pretty exposition-heavy, which does drag down the episode quite a bit for me. Something that will remain a positive throughout this final season, however, will always be the visuals and music, which are as great as always. Magia Record is still an absolutely stunning anime from start to finish, and I hope asserting that here means I won't have to re-state this for every episode. But overall, We Failed honestly wasn't all that bad. A bit confusing and exposition-heavy, but it does a decent job at clearing everything up. It's a solid start.

All The Girls Disappearing: While I thought We Failed was alright, this episode was where this final season's flaws start to show a bit. The first half of the episode where Iroha and Touka regain their memories is actually pretty good, if a bit redundant due to all the re-explaining of what we learned last episode. However, the episode ends with Mifuyu and Momoko sacrificing themselves, the first of many character deaths in these last three episodes. Momoko, I'm not too broken up about, she was always one of the side characters and wasn't too important to the plot. Mifuyu, on the other hand, Yachiyo was trying to reunite with her for the whole show! Her relationship with Yachiyo was one of the most interesting parts of Magia Record, what did they kill her off for? Still, it's one character death, it's not like things could get worse, right? Right?

How Long Do We Continue Being Magical Girls?: Well, it took long enough, but we finally learned more about Kuroe... in the penultimate episode of the anime. Honestly, though, I think this was a minor improvement over the previous episode, since it lacked the expository first half and Kuroe's death was probably the most well-executed one of the season. With her doppel taking over in the Season 2 finale, it wasn't too unlikely that she wouldn't end up making it to the end of this series, and Iroha's desperate attempts to save her does a good job of evoking the original series. In addition, I liked Iroha and Ui finally reuniting, even if in odd circumstances. The whole episode was narrated by Kyubey, as he basically rips the Doppel system a new one, and I thought that was pretty cool. However, this also was the episode where I realized we barely saw any of the major characters like Felicia, Tsuruno, and Sana.

No One Knows Our Record: Before I talk about the finale, I just want to preface this by saying I had just finished watching The Shield, a show which ended so well nothing could reasonably follow it up. However, while I think most of this season was still at best decent, No One Knows Our Record is one of the worst series finales I think I've ever seen, especially since it started off so promising. The whole finale is the final battle with Alina, as Iroha struggles to regain her hope after Kuroe's death. The action is solid, the whole episode has a feeling of finality, and it's the perfect chance for Iroha to earn her happy ending... but that's not what happens. Sure, Alina is defeated and she gives her whole power of hope speech, but how is that supposed to be happy? Madoka's hope speech is affecting because she actively does something to improve the world, but Iroha simply stops things from getting even worse than they already are. Nemu and Touka still end up dying, the Doppel system is destroyed and useless, Walpurgisnacht seemingly killed most of the Madoka cast, Iroha is unable to save Ui (getting serious Hunger Games vibes here in the worst way possible), and worst of all, we learn that the entire world of Magia Record is just one of Homura's alternate timelines, and that none of it mattered in the slightest. I get why Shaft did this, they wanted to canonize Magia Record as a part of the main series. But then why tell this story? Why does this, out of all the different timelines, matter? Pretty much everyone's dead, no one's happy, Homura leaves this timeline because it's a lost cause. And that's just... not Madoka to me. 

In the final episode of the original anime, Madoka says "If someone ever tells me not to have hope, well, then, I'll just tell them they're wrong. And I'll keep telling them 'til they believe! No matter how many times it takes", and then she becomes the concept of hope itself. I think this quote sums up the Madoka Magica franchise as a whole for me. People tend to think Madoka is just hollow misery for the sake of it, probably because of its influence on the "dark magical girl" genre, but honestly that just screams to me that you haven't actually watched it. Even with its dark tone and elements, Madoka is still a story about hope, and holding onto that hope in the face of impossible odds, even if it makes no sense to do so. It's the critical element of why I love this franchise as much as I do, all of the hardships the characters face would've just been torture porn if the characters didn't put in the effort to overcome them, even if in a bittersweet fashion. Even more, the Incubator conflict wouldn't be as deep and interesting as it is if the characters weren't actively trying to find solutions to it rather than just succumbing to their fates. But in Magia Record's case, there is no hope, its world is a lost cause and all of its problems can't be solved. Magia Record is hopeless, and it's that difference that causes the anime to resemble the many grimdark Madoka clones that completely missed what made the Madoka franchise so special.

Overall, this was a frustrating ending to Magia Record. It still has the same fantastic presentation you know and love from Madoka, and the first three episodes weren't awful, but the grimdark ending that left many characters dead and rendered much of the series' conflict feeling like a waste of time ended up pretty much ruining this show for me. It's the first Madoka thing that left me actively disappointed. 

1/5 Stars

Sunday, April 17, 2022

Episode Rankings: The Shield

The Shield is such a fascinating series, a Shakespearean tragedy about cops. It may have its issues with pacing and tone, it might be a bit too grimdark at times, but The Shield does so much right. Its themes and subject matter feel ahead of its time, the acting and character work is top-notch across the board, and probably most infamously, this show has one of the greatest series finales ever made. Even if you don't end up loving The Shield as a whole, that finale is mandatory viewing. Here's my ranking of its episodes:

  1. Family Meeting (S7.13) - Damn. Near. Flawless.
  2. Postpartum (S5.11)
  3. Possible Kill Screen (S7.12)
  4. Kavanaugh (S5.08)
  5. On Tilt (S3.13)
  6. Dominoes Falling (S2.13)
  7. Back In The Hole (S4.10)
  8. Parricide (S7.08)
  9. Scar Tissue (S2.08)
  10. Chasing Ghosts (S6.06)
  11. All In (S3.12)
  12. Enemy Of Good (S5.02)
  13. Ain't That A Shame (S4.13)
  14. Baptism In Fire (S6.02)
  15. Of Mice And Lem (S5.10)
  16. Circles (S1.13)
  17. What Power Is (S3.10)
  18. Tar Baby (S4.05)
  19. Homewrecker (S2.06)
  20. Dragonchasers (S1.10)
  21. A Man Inside (S5.07)
  22. Cherrypoppers (S1.06)
  23. Extraction (S5.01)
  24. Back To One (S6.03)
  25. Moving Day (S7.09)
  26. Dead Soldiers (S2.02)
  27. Streaks And Tips (S3.04)
  28. Insurgents (S4.06)
  29. Pilot (S1.01)
  30. Smoked (S5.09)
  31. Breakpoint (S2.12)
  32. Barnstormers (S2.07)
  33. Tapa Boca (S5.04)
  34. Animal Control (S7.06)
  35. Cupid & Psycho (S1.08)
  36. Strays (S3.11)
  37. Genocide (S7.04)
  38. Bang (S4.03)
  39. Rap Payback (S5.06)
  40. Blowback (S1.05)
  41. Partners (S2.03)
  42. Blood And Water (S3.02)
  43. Carnivores (S1.11)
  44. Coefficient Of Drag (S7.01)
  45. The Quick Fix (S2.01)
  46. Spanish Practices (S6.10)
  47. Party Line (S7.10)
  48. String Theory (S4.09)
  49. Slipknot (S3.09)
  50. Pay In Pain (S1.07)
  51. Bitches Brew (S7.07)
  52. Trophy (S5.05)
  53. Bottom Bitch (S3.03)
  54. On The Jones (S6.01)
  55. Carte Blanche (S2.04)
  56. Hurt (S4.07)
  57. Fire In The Hole (S3.13)
  58. Game Face (S7.05)
  59. Our Gang (S1.02)
  60. Haunts (S6.05)
  61. Jailbait (S5.03)
  62. Coyotes (S2.10)
  63. Two Days Of Blood (S1.12)
  64. Doghouse (S4.04)
  65. Playing Tight (S3.01)
  66. Cracking Ice (S3.08)
  67. Petty Cash (S7.11)
  68. A Thousand Deaths (S4.11)
  69. Cut Throat (S4.08)
  70. Mum (S3.05)
  71. Inferno (S2.11)
  72. Exiled (S6.07)
  73. Greenlit (S2.05)
  74. Dawg Days (S1.04)
  75. The New Guy (S6.04)
  76. Snitch (S7.02)
  77. The Cure (S4.01)
  78. Recoil (S6.09)
  79. Judas Priest (S4.12)
  80. Safe (S3.07)
  81. Riceburner (S3.12)
  82. The Spread (S1.03)
  83. Money Shot (S7.03)
  84. Grave (S4.02)
  85. Throwaway (S1.09)
  86. Posse Up (S3.06)
  87. The Math Of The Wrath (S6.08)
  88. Co-Pilot (S2.09)

The Shield (Season 7)

With so many shows ending horribly, The Shield is the one show that's pretty unanimously considered to have a fantastic ending.

I'll be frank, Season 7 got off to a bit of a slow start, as it had to continue a lot of the plot points kicked off in the previous season, which left Aceveda and Shane under the thumbs of two different types of mafias, Mexican and Armenian respectively. Vic spends much of this half of the season trying to pit the Mexican and Armenian mafias against each other, while also trying to negotiate for an ICE job he can move to once he loses his police badge. There's a lot going on here, and with all the complex table-setting, it's hard for me not to feel like things ended up getting a bit too complicated. There was so much going on that I found it hard to keep track of everyone, and that doesn't even go into the fairly hit-or-miss subplots. On one hand, Vic plotting to get revenge on Shane for killing Lem is great, as is Dutch assuming a kid is a serial killer (another great exploration of his unique detective style). On the other hand, Mara is still as obnoxious as always and Cassidy gets a whole subplot about her downward spiral into crime that I found entirely uncompelling. While the season slowly got better as in went along, with Vic's attempt to kill Shane and the shooting in Episode 4 being noticeable highlights, I still couldn't really help but wonder what all the fuss was about with this season.

But then the episode Parricide happened, and things completely spiraled out of control. Shane is caught trying to kill Vic and has to go on the run from the police, Corrine learns about Vic's crimes from Mara and starts trying to help the Barn take him in, and Vic himself ends up leaving the Barn. Season 7's first half may have been a slow burn, but it led to one hell of an explosion, as this second half was ridiculously tense, especially when it comes to Shane being on the run. Walton Goggins does a fantastic job of showing just how panicked and desperate Shane is throughout this whole stretch, and the rest of the cast also gives series' best performances. There's a serious emphasis on "Point Of No Return" moments, with pretty much every single episode changing the status quo so irreparably that there really isn't no other choice for the show outside of ending. And what an ending. Season 7's last two episodes make for one of the best ends to a TV show ever, simultaneously being satisfying, rewarding and earned, as well as unpredictable, depressing, and Shakespearean in its tragic nature. My reviews of The Shield were pretty mixed all things considered, but it was all worth it for this.

Season 7 had some of the best episodes of the show, especially in its final few episodes:

Parricide: I already raved about this episode earlier in my review, it's the powder keg that completely blew up this show's premise and served as a massive turning point for the season. One of my favorite moments of the whole series was Shane being outed as trying to kill Vic and Ronnie to the Barn only for the show to cut to Mara telling Corrine about Vic's crimes, as if that wasn't a big enough twist! The writers of The Shield just do not care, do they?

Possible Kill Screen: The last ten minutes of this episode are phenomenal. Vic Mackey getting into ICE, confessing to all of his crimes for full immunity on all of them, saving Corrine, implicating Ronnie, and managing to evade Claudette at the very last second made for such an outstanding ending, made even better by Chiklis's best performance in the whole show. Mackey's crimes being revealed should be satisfying, but I never felt worse upon this episode's end.

Family Meeting: Series finales are so damn hard to pull off, there's so much you need to nail with one. You have to give every character a satisfying resolution, you have to sum up the themes of the show, you have to wrap up the overall plot in a climactic manner, and you have to do all that without being too neat or predictable. Family Meeting does this all so confidently and flawlessly, this really may be up there with Not Fade Away as my favorite series finale of all time. Vic not getting arrested or killed, but rather a "fate worse than death" was just perfect and creative to boot. He ruined the lives of everyone around him, from Ronnie being arrested, to Shane committing suicide, to his family going into hiding, it's all his fault, and he has to live with it. And that's not mentioning even the side characters like Dutch, Claudette, Billings, and Aceveda getting screentime, as well as a few more cases to end the series off with what feels like a true summation of all of the things that made it great.

Season 7 of The Shield wasn't the best one of the series, between the slow first few episodes and Cassidy's subplot, this season did have its flaws. However, it did manage to bring the show to one of the greatest and most earned series finales of all time, ending with a nail-bitingly tense second half.

4/5 Stars


My ranking of The Shield's seasons is:

  1. Season 5: Kavanaugh is a fantastic character and he single-handedly makes this the best season of The Shield. It also really helps that the frantic pacing and tight plotting makes for an especially tense season.
  2. Season 7: While a bit slow-starting, the moment Shane goes on the run, Season 7 bursts into action and builds towards what is probably the greatest series finale of all time.
  3. Season 2: Season 2 goes full dark, full serialization, and crafts a fantastic main storyline that builds to a very satisfying and climactic finale.
  4. Season 4: The attempt at a soft reboot was clumsy and caught me off-guard at first, but as the season went on and began to explore its themes, it ended up being the most thought-provoking season.
  5. Season 3: Season 3 is easily the darkest season of The Shield, but I think it went a bit too far at times. It's definitely ambitious, and I admire that, but man was this season way too hard to watch.
  6. Season 1: Season 1 is basically a standard procedural show that isn't quite able to fully commit to its intended tone, at least not yet.
  7. Season 6: While it does do a lot to resolve Season 5 and set-up Season 7, this season doesn't do much to stand on its own outside of just being a transition season, and is less than the sum of its parts. 

My ranking of The Shield's finales is: 

  1. Family Meeting: One of the great series finales of all time. It balances genuine bittersweet farewells that leave everyone on the cast in a good place, with punishing the main character in the best and most earned way possible.
  2. Postpartum: Even if it doesn't resolve everything, Postpartum is a dramatic, jam-packed, and heartwrenching finale that ends with easily the most crushing and tragic death of the series.
  3. On Tilt: A true tragedy of an episode that leaves pretty much the entire cast in an awful place, a fantastic end to what is essentially The Shield's first half.
  4. Dominoes Falling: All of the build-up towards that Money Train heist really paid off in a grand, bombastic, and twisty finale filled to the brim with shocking moments.
  5. Ain't That A Shame: While a bit of a let-down, the action is bombastic, Rawling gets a great sendoff, and the hook for Season 5 is fantastic.
  6. Circles: There wasn't really much Circles could do given how procedural the first season was, but it's still a bombastic and action-packed way to end off the season.
  7. Spanish Practices: While it has a decent amount of exciting hooks for Season 7, it suffers a lot from Season 6's disjointed structure and doesn't really feel like a finale.

7 > 5 > 3 > 2 > 4 > 1 > 6

Favorite Episode: Family Reunion

Thursday, April 14, 2022

The Shield (Season 6)

Season 6 of The Shield doesn't feel like a season of television. It feels like a transition between seasons, with its first half tying loose ends from Season 5 and its second half setting up Season 7, and nothing to help it to stand on its own as a season.

Season 6 starts directly after Season 5 ended, with Lem dead and tensions between Vic and Kavanaugh more strained than ever. While the Strike Team not being under investigation means the stakes don't feel as high anymore, Kavanaugh is still as fantastic of an antagonist as ever, as he immediately jumps at trying to frame Vic for Lem's death. However, this doesn't last long, as Kavanaugh admits to his crimes and leaves the show after the second episode of the season. This isn't immediately a problem, as Shane keeping Lem's death a secret from the Strike Team and Vic trying to figure out who did it still manages to be as tense as Season 5 was. The conflict between these two is great and it leads to some of the best-acted scenes in the show not involving Kavanaugh. However, you soon start to realize that this season doesn't really have much of a driving force outside of the Vic-Shane conflict, and it leads to a season that just doesn't feel cohesive in the slightest. Kavanaugh leaves in Episode 2, the presumed antagonist Guardo Lima is killed the episode after, Vic learns Shane killed Lem in Episode 6, and the rest of the season is just spinning its wheels. The pacing here is just so bad, there's no focus at all.

These wheel-spinning issues start to become even more noticeable with some of the season's really awful subplots, the worst of which being Hiatt's new Strike Team. A few episodes into the season, Claudette hires a new guy to take over the Strike Team from Vic when he retires, a decent idea until you meet the guy. Kevin Hiatt is such a dull, generic character. He has no chemistry with the rest of the class, no defining traits, he's here until he gets mercifully written out in the finale. Julian joining the Strike Team also could have been interesting since he has been pretty violent at times, but he gets nothing to do this season, making me wonder why they even bothered adding him to the team. I'm also not a fan of Dutch and Billings being a cop duo. Obviously Dutch had to be split up from Claudette once she became captain, but those two had such a fantastic sense of chemistry that's hard to top. It feels like the writers wanted to sell to you that Dutch and Billings have this bicker-y odd couple chemistry, but it feels really forced in comparison. Not to mention, it sucks to see my favorite character (Dutch) pretty much relegated to comic relief for much of this season. The only decent subplot was Aceveda's new backers, but even that wasn't worth basing the season's cliffhanger on.

Still, this season did have its good episodes, they just so happened to be good because they were resolving plot threads from last year:

Baptism By Fire: I feel like this was originally meant to be Season 5's finale, as it's pretty much entirely about Kavanaugh's fall. Personally, I think Postpartum worked a lot better as a finale, but that doesn't make Baptism By Fire any less of a fantastic episode. The final few minutes especially were fantastic, between Kavanaugh admitting to his crimes and his final confrontation with Vic. I'm gonna miss the guy, but at least Whitaker went out with one last outstanding performance.

Chasing Ghosts: Similarly to Baptism By Fire, this was a decent episode made great by a fantastic final few minutes. That eight-minute long confrontation between Vic and Shane that ends off the episode is easily one of the best scenes in the series. It's tense, emotional, heartwrenching, and Michael Chiklis and Walton Goggins give their best performances in the show yet.

Overall, Season 6 has its good moments and episodes when focused around the Lem stuff, but everything else is either lacking in meaningful plot progression or just flat-out bad. It's easily the weakest season of The Shield to date.

2/5 Stars

Tuesday, April 12, 2022

Sonic Adventure

Sonic Adventure is my favorite Sonic game, and one of my favorite games of all time. This isn't a nostalgia thing, I was born after Adventure first came out and only first played it a few months ago, and it still ended up being my favorite. It's kinda funny, you know. All I've heard about this game on the internet was that it's bad, that it hasn't aged well or maybe that it was never good at all. Well, I think that's ridiculous! Sure, it has its flaws but the amount of things this game nails outweighs pretty much all of them.

For the first 3D entry in the series, Sonic Adventure takes an interesting direction, essentially splitting its campaign up between six different characters, and beating all of them unlocks the final boss. I'm... actually fine with this, and I'm not sure why so many people aren't. None of the campaigns outside of Sonic's (the main event) are all that lengthy, and giving each character different routes, bosses, and gameplay mechanics feels like a natural extension of Sonic 3's multiple characters. But on the other hand, the variety between the characters never becomes too much like in Adventure 2 or Unleashed since everyone pretty much controls the same. I want to talk about each campaign individually, but before that, I do want to bring up the few things each campaign shares. First, each campaign uses the same overworld, which are called Adventure Fields. I love these overworlds, as they're all filled with memorable iconography, hidden Emblems and easter eggs, and subtle subplots that you can pick up on by talking with everyone. The more you play Sonic Adventure, the more you really start to grow attached to these hubs, with Station Square in particular almost feeling like home. Outside of the hubs, however, I have a lot more to talk about with each character in particular.

Sonic: Sonic is obviously the highlight of this game, and his campaign honestly feels like the perfect transition of the formula from 2D to 3D. Not only is it roughly the length of your average Genesis Sonic game, but the level design philosophy of multiple routes that reward mastery of the controls feels plucked right out of those games as well. And Sonic's controls feel especially satisfying to master here, there's something so fluid about his gameplay in this game. It's so easily to feel frustrated at first as you run into walls, but by the end of his campaign, you'll be running through winding halls and tight paths without falling or bumping into anything without even realizing. Now sure, this game can be pretty janky for pretty much all of its characters, but it's never been that big of a deal for me. While I did encounter a few glitches every once in a while, the game never made me feel terrified every time I played like, say, Sonic Heroes or Mario 64 & Sunshine. While finicky at times, mostly everything in Sonic Adventure worked as intended for me, and if anything the existence of Sonic's broken spin dash makes me glad this game is as janky as it is. Being able to completely break levels with well-timed spin dashes will always be a ton of fun. 

I briefly touched on the level design but I need to go over it a bit more, nearly every level in Sonic Adventure is fantastic. It's my favorite type of 3D Platformer level, linear setpiece-filled obstacle courses that also have a lot of alternate paths, hidden areas, and secrets so that it doesn't feel like it's railroading you. Emerald Coast and Windy Valley are iconic and thrilling opening stages that ease you into the controls, Ice Cap is a beautiful stage that ends with a heartpounding snowboard chase, Red Mountain is straight-up a playground filled with stuff to interact with, Speed Highway is Speed Highway, and Sky Deck and Lost World are incredibly creative in their own ways. Casinopolis is the only stage I dislike since grinding pinball is a bit of a slog, but even that has some great moments like the NIGHTS board. Outside of the stages, however, Sonic's campaign also has a bunch of boss fights. Sonic games tend to have pretty weak boss fights a lot of the time, but I don't really hate any of the Adventure fights. They rarely go on too long and are at worst the incredibly easy Character battles, but at best some of the strongest fights in the series. Most of Sonic's boss fights are pretty decent, with the exception of the amazing Egg Viper fight. It's a toughie, I definitely lost a few lives to the guy, but beating him was immensely satisfying and the dramatic nature of the fight made for one of my favorite Eggman encounters. As far as story goes, there isn't too much to talk about compared to the other characters, it's pretty much a straightforward fight between Sonic and Eggman. But it's not like that's a problem or anything, Sonic's campaign is strictly a Genesis Sonic game planted into 3D, and I think the transition was executed incredibly well.

Tails: I won't say I love Tails' campaign quite as much as Sonic's, but it works pretty well as a fun speedrun mode. Gameplay-wise, you pretty much have to chase Sonic to the end of a bunch of levels, though Tails' ability to fly makes that fairly easy. Once again, Tails controls really well and his new spin attack is a fantastic addition and really fun to use, and while the campaign starts pretty basic, being able to take entirely different routes using flight than you would as Sonic make some of the later stages like Speed Highway feel genuinely fresh. However, my one gripe with this campaign is that it copies a lot of the events from Sonic's campaign, including the bosses, cutscenes, and Sky Chase mode. It's not a massive issue, this campaign is still pretty short, but just remember to not play as Tails immediately after Sonic. As for the story, Tails's campaign is where one of my favorite things about Sonic Adventure's story comes into play, the character work. Sonic Adventure has a pretty character-driven story, with a decent amount of its characters having some sort of arc. Case in point, Tails's character arc is about him learning to be more than just a sidekick, and it culminates in him fighting Eggman in a tense final boss fight that's entirely different from (but almost as fun as) the Egg Viper. I love how this game is willing to let its characters grow, it's a big contrast from something like the Mario games. As a whole, though, Tails' campaign is solid, but it's probably the most average of the bunch.

Knuckles: Knuckles has one of my favorite campaigns in the game, as his gameplay revolves entirely around exploration. You get to fly around a bunch of levels searching for Chaos Emerald shards, with a helpful radar to make sure you don't get too lost. Being able to explore around these already open levels is just such a joy to me, and it helps that Knuckles is definitely one of the best controlling characters in the game. I know Sonic Adventure 2 also has this gameplay style, but the nerfed radar and overly complicated level design makes this my preferred iteration. Outside of the main gameplay, Knuckles also has a pretty decent story that reveals more about the lore of the echidnas, an important aspect to Adventure's main plot. Once again, it really is impressive that SEGA decided to actually put effort into fleshing out Knuckles's role as guardian of the Master Emerald, and it makes for easily one of my favorite depictions of the character. Otherwise, Knuckles doesn't have too much else to stand out, with most of the bosses also showing up in other campaigns, but his fun exploration-heavy gameplay makes for one of the best campaigns of the bunch.

Amy: Amy's campaign is a horror game, where you run through three stages trying to hide from and dodge an invincible robot called Zero. While this is one of the slower campaigns of the bunch, the abundance of memorable setpieces, unique camera angles, and surprising jumpscares makes for a fun "Resident Evil-lite" that I found myself really enjoying. However, this campaign is slightly dragged down by the controls, it's the only instance where they become an issue. The developers wanted Amy to move slower which is fine, but they did so by making the baffling choice of lowering her top speed compared to the other characters. It might not seem too bad at first, until you realize this means Amy has a very tough time going up hills, and generally feels off in rocky terrain. On the other hand, her large array of hammer attacks that also double as movement options do mitigate my walking speed gripes a bit. And one thing I absolutely love about Amy's campaign is the story. Similarly to Tails, Amy wants to prove she's not just the damsel in distress by protecting a bird from Zero, who she eventually ends up beating in a very fun boss fight. Adventure was the game where Amy became one of my favorite characters, as she not only got a really effective character arc, but her empathy for the aforementioned bird as well as several other major characters reveals what I think is her defining quality. Overall, while Amy doesn't control the best, the fun horror-lite gameplay and strong main story make for one of the most memorable campaigns for me, even if it's not the best of the bunch.

E-102 Gamma: While Sonic's gameplay will always reign supreme, E-102 Gamma's campaign is a close second and might even surpass Sonic's campaign in pretty much every other aspect. This campaign has you race through stages shooting down enemies to prevent your timer from ticking down too far, starting off easy but slowly ramping up in difficulty as the stages get much longer. I especially love how the final stage isn't seen in any other campaign, so not only is it hard, you pretty much have to go through it blind. The core arcade-shooter gameplay is a good time if not super in-depth, but the high points of Gamma's campaign are easily the boss fights with the other robots, which once again slowly ramp up in complexity culminating in one of my favorite Sonic bosses ever. I feel like Gamma's gameplay is just suited a lot better for these one-on-one fights, and I'd honestly take a whole game's worth of them. But of course, I can't talk about E-102 Gamma's campaign without going over the story, which is just phenomenal on all fronts. It's essentially a story about a robot built for war and violence learning how to love and care, ultimately taking out all of his brothers as well as himself to stop any more violence from happening. It's oddly mature and existential for a Sonic story, and that final battle between Gamma and his last brother is genuinely kind of emotional. And this is where Amy comes into play, her empathy towards Gamma helps him make his big heel-face turn! Seriously, Gamma's campaign is outstanding. His gameplay is decently fun on its own, but it's the amazing story that really elevates this one.

Big: Before I ruffle any feathers, I just want to clarify one thing: Big's campaign is definitely the worst out of the six, no contest. However, I actually kinda like it. Yeah, I said it, I like Big's infamous fishing campaign, and I don't even like fishing in video games. I find a lot of people hate Big The Cat mostly because playing as him is mandatory, but that's not a problem with me because his campaign is really short and really easy.(Granted, the game never really explains the optimal way to fish, you really just have to hold down and you'll never lose Froggy). Like I beat his campaign in a single sitting and never felt like it overstayed its welcome at all, and the brief change in pace and gameplay made for a decent breather. I really like that Big's campaign only really forces you to do the bare minimum, which is to find Froggy. If you want more out of the gameplay, the overworld has a ton of upgrades and the missions encourage you to get increasingly larger fish, but if you don't, you can easily beat Big's campaign in around 15-20 minutes. I also happen to really like his character, there's something really charming when a character gets the spotlight during a pretty dramatic world-ending event and just... doesn't really care. Like Big's just vibing, he has his own priorities, and that makes for a really entertaining bit of comic relief. So yeah, I don't hate Big's campaign. It's easy, short, and unintrusive, and its existence really only adds to Adventure's unique charm for me.

Last Story: There isn't much to say about this one, it really is just the final boss fight, but it does a good job of tying all of the game's story threads together and, more importantly, ends the game on a killer note. The final fight with Perfect Chaos is easily one of the best final bosses in the series, purely built around Sonic's speed without being too much of a cakewalk like some other Super Sonic fights. 

Compared to Sonic Adventure 2: As much as I also love Sonic Adventure 2, I'm one of the rare types who generally tends to prefer Sonic Adventure to its sequel, so I do want to briefly touch on why I think that. For starters, there are a few things Sonic Adventure 2 does do better than its predecessor. The Chao Garden is obviously an improvement here, with way more mechanics, biomes, and minigames. I also think the story is generally an improvement as well. While not quite as character-driven, Adventure 2's story does a much better job with its plot, and the cheesy dialogue and emphasis on action leaves it being the closest Sonic has been to a bonkers Shonen anime. I can recite many of this game's scenes entirely by memory just for being so damn memorable. The sheer bombast shows in the gameplay too, with the level design in Adventure 2 generally being way more complex than in the first, mostly for the better. And of course, the lack of repeated content between its two campaigns is a plus. However, the game does have some issues that prevent it from surpassing the first, such as the clunky movement of the mechs, the nerfed radar for the treasure hunting stages, and the godawful boss fights that don't come anywhere near the heights of this game's fights. I also think the overall presentation, while great, isn't as memorable as Adventure 1's, but I'll get to that soon.

Outside of all the campaigns, there are a few other things I want to talk about with Sonic Adventure. First are the Chao Gardens, a pretty iconic staple of the Adventure games. Personally, I've never been a fan, but I can see why so many people found it more addicting than the main game itself. As mentioned above, I do think Adventure 2 has the better Chao Garden, though I will say that accessing it from the Adventure Fields in this game is way less pace-breaking than in between every level. Outside of that, I also want to give my praises for Sonic Adventure's presentation... well, almost all of it. I will admit the cutscenes look pretty bad nowadays, with the character animations looking quite awkward with the exception of the mouthless Gamma, and the voice acting being pretty hit-or-miss. On the other hand, for the most part, I think this game still looks great, especially in its original Dreamcast version. Obviously on a technical level, there's impressive lighting, reflective surfaces, warping platforms, and console showcases galore, but even on a purely aesthetic level, Sonic Adventure just looks... nice. The textures and backgrounds are simultaneously detailed, colorful, and quirky, leading to a game that just exudes that Y2K sense of style. And of course, the music is fantastic. I've already talked about Adventure's soundtrack in one of my retrospectives, but just know that it's one of the best.

Overall, I absolutely adore Sonic Adventure. Even with its janky elements, it manages to do so much right, especially for the first 3D entry in the series. The level design, Sonic's controls, the alternate characters, the character-driven story, the peak aesthetic, the boss fights, these are all things that most Sonic games end up struggling with to some degree, yet Adventure absolutely nails with utmost confidence. But more than anything, with its hubs, open levels, and at times dramatic tone, Sonic Adventure feels like an actual adventure. When I first played it, I was hooked from start to finish, always happy to explore this game's worlds. That's a feeling I feel every 3D platformer should try to capture, and Adventure captures it perfectly. Sure, it's a product from its time, but so was every 3D platformer of that time, many of which are still widely beloved for the things they excel at. What makes Sonic Adventure so different?

5/5 Stars

The Shield (Season 5)

Vic Mackey is the protagonist of The Shield, of course he is! He's the main character of every single season... except for this one. Season 5 isn't about Vic, it's about Jon Kavanaugh, and what a fascinating figure he is.

After last season ended with Internal Affairs launching an investigation into the Strike Team, Season 5 starts with the debut of the IAD officer who kicks off that investigation, Jon Kavanaugh, played by Forest Whitaker. With only 11 episodes this time, Season 5 focuses pretty much entirely on Kavanaugh's investigation, and what results is an incredibly tense, taut, and gripping season as the Strike Team slowly has every single one of their past crimes come back to bite them. Right from the first episode, Kavanaugh kidnaps Lem and forces him to wear a wire, and things just get worse for the team from there, just as I like it. But the highlight of this storyline is easily Kavanaugh himself. He's such a fascinating character, starting as an awkward yet confident detective and slowly devolving into the human equivalent from Eggman from those fandubs. As Vic continues to evade him and piss him off, Kavanaugh takes the investigation a lot more personally and slowly spirals out of control, delving into the same sort of corruption as the guy he's pursuing. Forest Whitaker's performance illustrates that perfectly, giving the role just enough hamminess to make Kavanaugh terrifying. I liked Antwon but this is hands down the greatest antagonist in the series.

Okay, now that I'm done raving about Kavanaugh, Season 5 did still have a lot of other fantastic elements to it. While it does remain mostly focused on a single storyline, even the subplots all managed to be pretty solid, particularly Claudette keeping the fact that she has lupus a secret from Dutch, which gives her some of her best material to date. Danny's pregnancy was also decent, though it didn't get too much of a focus. And I enjoyed the subplot of the new recruit mostly because it was interesting to see someone with a more idealistic and slightly spoiled point of view be repeatedly confronted with the fact that the LAPD sucks. But the best non-Kavanaugh aspect of Season 5 is the dynamic between the Strike Team as they're being investigated. It gives me Season 3 vibes as the team getting pressured on their past crimes ends up causing a lot of tension between them all, leading to yet another finale where they lead to each others' downfall. It's so painful to watch Vic and the team repeatedly talk about how they're family and will never betray each other when that's exactly what ends up happening in the finale.

While this season didn't contain a single bad episode, it did have some noticeable highlights especially as the tension ratched up in the second half:

Enemy Of Good: While Kavanaugh's introduction in the premiere was great on its own, Enemy Of Good immediately ups the stakes by giving Lem, the most conscientious member of the Strike Team an incredibly difficult choice. Seeing him grapple with having to wear a wire was tough since my experience with The Sopranos made me believe his days were numbered right there and then, but I didn't expect him managing to discretely tell Vic about it by the end of his very episode. A great showcase of how well-paced this season was, nothing felt dragged out.

A Man Inside: Claudette and Dutch were always some of my favorite characters in The Shield. Even with Dutch's flaws, it felt like they were the few members of the cast that you could genuinely root for. A Man Inside is yet another interrogation episode, this time being about Claudette working through her illness to solve a case. It's a triumphant episode for the character... until she falls off the stairs in a painfully unfair cliffhanger.

Kavanaugh: This was easily one of the biggest episodes of the season and a huge turning point for Kavanaugh's character. Not only do we learn a lot more about his relationship with his wife, but said wife ends up causing him to absolutely snap, imprisoning Lem, screaming at the entire Barn, and giving up on his morals to take Antwon's deal.

Of Mice And Lem: "I've come to make an announcement! Vic Mackey is a-". Sorry, had to make the joke. Of Mice And Lem is another strong penultimate episode where things continue to spiral out of control in the fight between Kavanaugh and the Strike Team. And while Mackey's talks with Antwon, Lem's whole dilemma, and Julien taking it out on a homophobe is all great, the highlight is easily Kavanaugh's amazing and unhinged pissing speech. Seriously, this guy is Eggman, I swear.

Postpartum: It's kind of crazy that this wasn't originally supposed to be the Season 5 finale, the season was actually cut short a few episodes early. It definitely doesn't fell that way, however, even if the conflict against Kavanaugh wasn't fully resolved, stuff like Claudette becoming captain, Danny giving birth, Becca cutting ties with the Strike Team, and of course, Lem's heartbreaking death made for easily the best season finale (and episode) of the show to date.

Overall, as someone who hasn't been as enamored with The Shield as I would have hoped so far, Season 5 feels like it's on a completely other level of quality compared to every other season before it. Jon Cavanaugh is such a fascinating and interesting character played to perfection by Forest Whitaker, and he was the exact antagonist this show needed to really put the pressure on the Strike Team. Season 5 was tight, brilliantly paced, and intense from start to finish, an absolute triumph.

5/5 Stars

Saturday, April 9, 2022

The Shield (Season 4)

Season 4 of The Shield started off feeling like a soft reboot of sorts, with a lighter tone, premiere that essentially reintroduces the cast, and of course, the stunt casting of Glenn Close. As a result, the first few episodes just felt off tonally, but once I realized what this fairly focused season wanted to do, I slowly started to really come around it.

Season 4 starts off on a pretty shaky note, with the Strike Team separated and Aceveda leaving for a new captain named Monica Rawling, played by Glenn Close, to take over. The Strike Team separated isn't that big of an issue, as much as I missed their chemistry for most of this season, it was still really satisfying to see them reunite. Rawling, on the other hand, definitely took some time to grow on me. Close is great here, and her dynamic with Vic is excellent, but her character just felt so much less interesting than Aceveda... at least until she really starts to implement her civil forfeiture policies. This is where Season 4 kicks into high gear, as much of the season grapples with the concept of civil forfeiture, dealing with its good and bad aspects and tackling all the minute aspects of that controversy. You can understand where Rawling is coming from, but the show never paints her policies as an unambiguously good idea, and we even have a strong subplot about Julien (the rare black cop) being against the policies himself. More than any prior season of The Shield, Season 4 really feels like it's trying to deglorify the police, and whenever it stays focused on the civil forfeiture debacle is when it's at its most engaging and thought-provoking.

Season 4 is a really focused season, fairly lacking in the mess of subplots and story beats that the last few seasons had. Pretty much the entire season is focused around Rawling, with even the main antagonist Antwon Mitchell, played by Anthony Anderson, being frustrated about her policies. Similarly to Rawling, it took a while for me to find Antwon an interesting antagonist, probably because I spent much of the first few episodes seeing him as Dre from Black-ish. However, after a brutal showing in the fifth episode, I was immediately sold on Antwon as a threat, and his charisma and seeming untouchability made for hands down my favorite antagonist in the show to date. Unfortunately, just as Season 4 had a rough start, it also had a bit of a rough ending. Halfway through the season shifts focus to a bunch of cop killings, which causes Vic and Rawling to think it's because of the forfeiture policies. It wasn't, it was actually caused by a bunch of Russians, completely unrelated to the policies. Even more Rawling gets fired in the finale, but that wasn't because of her policies either! Season 4 posed a bunch of genuinely fascinating and thought-provoking questions, and just refused to offer some sort of answer or conclusion. 

At its best, however, Season 4 had some pretty strong high points:

Tar Baby: While the season had been slowly improving in quality over the last few episodes, the ending of Tar Baby was where I was hooked. Antwon shooting Angie in cold blood as Shane and Army watch was a terrifying yet incredibly well-executed scene that showed me that The Shield still had its bite, and that Antwon is not at all close to Dre.

Back In The Hole: As much as I've griped about Season 4's ending, I will say it definitely didn't help that Back In The Hole was essentially the climax of the season. I'm a big fan of interrogation scenes, so the fact that the majority of this episode was an electric interrogation between Vic, Rawling, and Antwon made for one of the best yet. Even more, Rawling starting to suspect that the Strike Team is corrupt leads to some great confrontations within the team, as well as set-up for the finale's fantastic hook.

Ain't That A Shame: While the underwhelming events of Judas Priest definitely dragged this finale down a bit by proxy, the sheer amount of stuff that happened in Ain't That A Shame still made for a really solid ending to the season. The Strike Team chasing after the drug lord led to some of the best action in the show to date, the set-up for an Internal Affairs investigation was an exciting hook for Season 5, and Rawling still managed to go out with a bang as she arrested Antwon for real.

Overall, Season 4 is a bit of a frustrating season. It had a shaky start as it struggled to adjust to its new status quo, and an underwhelming resolution that dropped all of the season's interesting elements. But that middle section was so damn good, dealing with some fascinating ideas, boasting the show's best antagonist to date, and focusing around a single well-developed and morally flawed character.

Oh, and one more thing. Stop showing the goddamn rape scene in the Previously On segment!

3/5 Stars

Wednesday, April 6, 2022

Lost (Season 3)

While I enjoyed Season 2, it's definitely not hard to feel like Lost was starting to drop in quality a bit. Season 3 is where the writers started to figure out how to bring the show back to its former glory, though not without making a bad first impression. 

Season 3 of Lost is pretty infamous for a few things, but primarily its very bad first half. After Season 2 ended with the main trio of the show getting captured by the Others, the first six episodes of Season 3 revolve around them in capture, and it's so boring. There is no sign of progress or plot progression throughout any of these first few episodes, nothing changes. Ben, a character I otherwise love, is at his most boring and generic. The same applies to the newly introduced Juliet, who also gets her more interesting material later on in the show. The season starts to look up once Jack, Kate, and Sawyer escape captivity, but there were still plenty of bad episodes (Stranger In A Strange Land) and the show just couldn't shake that rough first impression. As for the rest of the cast, they spend much of Season 3's first half floundering around on the island. Eko, the last of the tail section, is abruptly killed. And the show introduces Nikki and Paulo, two characters so obnoxious and despised that they also end up getting abruptly killed off not too far into the season.

Thankfully, Season 3 does start to get better over time, probably because the crew decided to set a date for the show to end, forcing them to start answering the many questions they've been setting up. The flashbacks started to feel purposeful again (no more dumb tattoos stuff), and the pacing was kicked up to eleven with the final half of the season being composed of plot twist after plot twist after plot twist. The Others started to feel like more active antagonists, the subplot about Locke's father was some of the most emotionally affecting material in the show so far, and of course, there's everything around the buildup to Charlie's death. It all culminates in one of the greatest and most iconic season finales in television history, which paid off everything from the past three seasons pretty much perfectly. But that all just begs the question of what we're supposed to make of Season 3 as a whole. This entire season was just the writers figuring out how to solve the several issues with the show, and while Lost came out the other side better than ever, what resulted doesn't really feel like a cohesive season of television. 

Still, once Season 3 got good, it got really good:

The Man From Tallahasee: I think for a lot of people this is the point where Season 3 really started to kick into high gear. It's probably the most fascinating and interesting Locke episode since Walkabout as we learn about how he became a paraplegic, and the big twist that reveals his father is on the island is just great.

The Brig: This is one of my favorite episodes of Lost just for how raw and intense it is. Much of The Brig takes place in the titular brig as Locke and Sawyer confront their father, tying the two's stories together and leading to some really heartwrenching moments. Sawyer killing Locke's father in particular is a moment I will always remember. 

Greatest Hits: I like how low-key this penultimate episode, pretty much entirely being about Charlie coming to terms with the fact that he's probably going to die. It lays the groundwork for the finale but does so in a very powerful way.

Through The Looking Glass: I don't think I need to say just how phenomenal this season finale is, Through The Looking Glass is packed, exciting, and damn near perfect. I could talk about the crazy "Not Penny's Boat" twist, or Charlie's sad death, or Locke's big face-heel turn, or the Others getting almost completely slaughtered, but there's really just one scene that deserves all the attention: That legendary and iconic flashforward reveal, the scene that launched Lost into becoming one of the biggest TV shows ever.

Overall, Season 3 of Lost is just weird. It starts with the show at its absolute worst, dragging out boring storylines, wasting characters, and unnecessary flashbacks. However, throughout the season, it feels like the writers slowly start to figure out what they need to improve on, leading to an absolutely fantastic second half. What results is a season that feels incredibly uneven and disjointed, but I think it's a necessary step towards two of the greatest seasons in the whole show.

First half: 2/5 Stars

Second half: 5/5 Stars

3.5/5 Stars

Tuesday, April 5, 2022

The Shield (Season 3)

Coming the tense and exciting second season, Season 3 of The Shield goes for a different tone. It's darker, more consequence-driven, and unfortunately a lot more uneven.

Season 3 primarily deals with the fallout of the Money Train heist last season. Sure the Strike Team got the money, but between the rising tensions between them as well as their case falling apart, it's fascinating to watch them lose everything they worked so hard for. However, this plot is very much a slow burn, hardly being brought up for much of the season. And with 15 episodes this time around, Season 3 can't help but feel a bit long and drawn out. Thankfully, as per the usual, there are other subplots that this season introduced, some of which are better than others. My personal favorite is the Decoy Squad, a rival team to the Strike Team who I found to be incredibly likable. I also enjoyed seeing Dutch hunt the season's major antagonist, the Cuddler Rapist. Despite Claudette being sidelined a bit due to her promotion, Dutch is still in an incredibly fun and interesting character to watch, and the mystery was intriguing. I really liked how this season explored the unintented consequences of Dutch's psychological approach, at least until that moment where he kills a cat to try and understand a serial killer, a scene that I think went a bit too far. And it's not just that scene, Season 3 as a whole was really depressing and hard to watch. Sometimes it worked like with Tavon's injury and the Strike Team falling apart. Other times, it's a lot more complicated...

If you've seen this season, it's pretty obvious that I withheld talking about one specific storyline, a storyline that I think deserves a whole paragraph for itself: Aceveda's rape. I'm not sure how to talk about Aceveda's rape. If you've seen my reviews of The Sopranos' own third season, you'd know that I am not a very big fan of rape being used as drama. And the big rape in The Shield is awful, it's horrifying, it surpasses that FMA episode as one of the most sickening things I've seen on a TV show. While it's happening, it feels like it's there for hollow shock value, much like Dutch killing the cat. However, what I do admire is the way the show deals with the fallout of Aceveda's rape, because there aren't many TV shows that are actually willing to depict a male character getting raped, and Aceveda's whole experience feels different in a lot of ways. Everyone he reveals the rape too blames him for not doing anything about it, with no one seeming to show the poor guy any sympathy. It's gut-wrenching to watch but sadly very realistic, and it all makes you want to see Aceveda get his revenge. I do think all of this fallout is well-executed and putting my own biases aside, I can't say it wasn't well-done. One thing I definitely can criticize, however, is the show replaying the same goddamn rape scene at the start of every single episode in the Previously On segment. I hated starting every episode of Season 3 wanting to throw up.

While a bit of a slow burn, Season 3 does have some fantastic episodes near the end:

What Power Is: This episode had a bit of a slow start but wow, what a goddamn payoff. That whole interrogation scene between Aceveda and his rapist was a fantastic battle of power, starting off tense but slowly becoming triumphant as Aceveda systematically tears the criminal to shreds. And right after that, Dutch manages to arrest the Cuddler Rapist, making for two wins back-to-back. Given how painful this season of The Shield has been, I definitely didn't expect such a rewarding episode.

All In: It's pretty obvious that the highlight of this episode is easily the ending, where Lem's decision to burn the money leads to an incredibly dramatic confrontation between the Strike Team. But there's also the Strike Team trying to gaslight Tavon, Dutch getting more suspicious about the money train heist, and the surprisingly funny subplot about Aceveda having a rabid fan.

On Tilt: This was another really fantastic season finale that felt equal parts satisfying and absolutely depressing. It was obvious that the Strike Team was going to fall apart by the season's end, but when it actually happened, it was so messy and heartbreaking. It really solidifies Season 3 as a flat-out tragedy, and not just one for the Strike Team. Dutch and Claudette also end up getting the short end of the stick here, both having the Barn turned against them for trying to do what's right. While I think Dominoes Falling felt more finale-ish with its myriad of cliffhangers and resolutions, On Tilt was just a flat-out better episode of television.

Overall, I'm not really sure how I feel about The Shield's third season. It had so much stuff I liked but also a lot of stuff I didn't. The finale was great, the Cuddler Rapist was a solid antagonist, the Decoy Squad was a ton of fun, and Aceveda's rape was kinda groundbreaking. However, this season was also overlong, sluggish at times especially compared to its predecessor, and perhaps a bit too grimdark.

3/5 Stars

Lost (Season 2)

Season 2 of Lost is a bit of a mixed-bag compared to its predecessor. It's definitely more plot-focused and has a lot more going on, but not all of its storylines are necessarily all that great.

The main storyline of Lost's second season involves the Hatch, and it's probably the best thing about the season. The premiere alone reveals that the hatch is a research station for the "Dharma Initiative" and that there was a person named Desmond inside the whole time, both of which are elements of the show I love. The Dharma Initiative is one of the most important things in Lost, boasting fascinating lore and singularly being an answer to many of the series' biggest questions. And Desmond is easily one of my favorite characters of the show. He seems a bit loopy at first but he's definitely the most genuine member of the cast, and his storyline of wanting to leave the island to reunite with the love of his life Penny leads to some of the most emotionally affecting moments of the show. The most compelling mystery of this season also deals with the Hatch, being about a ticking time clock that needs to be maintained or else "something horrible that happened". There's a great sense of tension in wanting to learn what the clock does but not wanting to risk something awful happening to the characters, and there are several great bait-and-switches to keep viewers on their toes.

The rest of the season is a bit more mixed, however, with some good plotlines and some very weak ones. A few episodes into the season we learn that there were some other survivors from the tail end of the plane that no one knew about, revealing that Locke misheard that recording in Deus Ex Machina. I really like the tail section, particularly the leader Ana Lucia, though I kinda wish they got a bit more development and weren't all killed off so soon. The storyline I don't like, however, is Michael's search for his son Walt who got kidnapped in the Season 1 finale. Don't get me wrong, that twist was great, but my god is Michael so annoying this season. His constant screams for Walt, anger towards the other characters, and incredibly rash decisions make for one of the most insufferable TV characters I've ever seen. It wasn't all bad though, this storyline did let us learn more about the mysterious Others, particular their leader Ben Linus, who eventually becomes one of the show's best characters. As for the flashbacks, they're definitely not as good this time around. Now that we don't have the novelty of learning about the characters, it's starting to feel like the flashbacks are there just because it's what Lost is known for. At worst, we get Fire And Water, which is probably the worst episode of the whole show and serves no purpose other than restating that Charlie has drug problems, something we very much already know.

Even being a worse season than its predecessor, Season 2 of Lost still has its high points:

Man Of Science, Man Of Faith: Lost really does have some of the best opening scenes, that shot taking you through the hatch and subtly revealing Desmond's existence is such a sly and clever way to reveal what's inside. I also like the title of the episode, being based on the many engaging ideological arguments Jack and Locke have throughout the episode. Also, I really like that Michael isn't in this episode, that's always a win in my book.

The Other 48 Days: I wasn't quite sold by the tail section at first (probably because they started off interacting with Michael), but I grew to really care about them through the course of this fantastic flashback episode. I love how it goes through pretty much the entire show from the tail section's perspective, and it does a great job of fleshing out Ana Lucia as she struggles to be the leader.

Lockdown: This was a pretty big turning point in the season's progression, with Locke contemplating letting the clock run out only to back out. Still, we do end up learning about the several other Dharma stations just like this one as well as the fact that "Henry" is an imposter. We eventually learn Henry is actually Ben Linus, and I already explained how much I love this guy.

Live Together, Die Alone: While not as good or lengthy as Exodus, this finale was an absolute anxiety attack of an episode, especially Part 2. From the hatch completely falling apart, several presumed character deaths, the Others capturing much of the main cast, and an even better and bigger cliffhanger than that of the last season, this finale left me gasping for breath for much of its runtime.

Overall, Season 2 is a mixed-bag of good and bad plot points. On one hand, I love the stuff regarding the Hatch and Dharma Initiative, Ben and Desmond are great new characters, and I love the tail section survivors. On the other hand, the flashbacks are starting to get dull, Michael is ridiculously annoying, and the tail section was wasted. Season 2 of Lost tries to do a lot more, but as a result is much more uneven than its predecessor.

3/5 Stars

Lost (Season 1)

Lost is one of the biggest shows of all time, with such a massive reach in television pop culture. However, it's also one of the most divisive, as the sheer mention of the show is enough to spark furious debate. Did Lost start good and slowly get worse? Did it improve near the end? When did Lost drop in quality? Was the final episode satisfying? Is the show even good to begin with? Personally, I think Lost is a fantastic show from start to finish, but I do agree that the first season is one of its finest.

Lost starts with a plane crashing onto a remote island, leaving 48 survivors. While the survivors have to try to live on the island and find a way to escape, they also have to figure the many mysteries this island has, from a terrifying smoke monster, to polar bears scattered all over the place, to a mysterious hatch that can't be opened. These mysteries are what really captured audiences when the show was airing, everyone was clamoring to learn more about the island. Personally, that was never what I loved about the series, but this first season generally does a really fantastic job of slowly layering on questions and mysteries and managing to keep that sense of suspense going throughout the course of the season, culminating in a stellar finale that answers a whole bunch of questions. As far as sheer plot progression goes, however, this season of Lost is definitely a lot slower-paced than the rest of the series. There aren't nearly as many stunning twists or moments as there are in the rest of the show, but that's because Season 1 has its own priorities.

I feel like a common theme in my reviews of Lost is the fact that the series is more about the characters than it is about the actual mysteries, which is a big part of why I think the finale is so good, though I'll get there. Season 1 spends a lot of time going over the characters' backstories through the usage of flashbacks. I've never been a fan of when shows liberally use flashbacks and the same applies to Lost, but I maintain that Season 1 has the best flashbacks in the series as they effectively teach the viewer about the characters and who they were before they crash-landed on the island. I think this was a fantastic move, even if it means this season doesn't progress much of the show's overall plot. With such a massive cast, Season 1 tries its damn hardest that you care about characters like Sawyer, Locke, Jin and Sun, Hurley, and Sayid. And with the bulk of this season's episodes focus entirely on fleshing out a single character, we get some of their defining moments in this very season. I will say, however, that the best flashbacks in the season end up being the ones in episodes like Walkabout and Numbers that manage to tie character development together with the mysteries of the island, and I'll admit the season could use a little more of those.

While the highs aren't as high as other seasons, Season 1 of Lost does have several especially fantastic episodes:

Pilot: I think one thing people can agree on with this show is that it has one of the greatest pilot episodes of all time, even more I think most can it agree it has the best opening scene of any TV show to date. The start of Lost's pilot is ten minutes straight of non-stop terror and action, efficiently establishing all of the characters as well as twenty different island mysteries while still being fast-paced and action-packed. It's J J Abrams' best work and a sequence so good the rest of the episode can't quite reach that high.

Walkabout: It's hard to believe the show got things so right so early on but Walkabout has the best flashbacks in the series and nothing was able to top it for the rest of its runtime. The story of Locke being paralyzed was already pretty compelling, but when you couple that with the big twist that he can walk again on the island as well as that heartbreaking ending where Locke learns he can't go on the Walkabout and you get a truly phenomenal episode.

Raised By Another: After a first half almost entirely comprised of character-centric episodes, Raised By Another is the point where the plot starts to kick up a notch. The majority of this episode was focused entirely on Claire, but the big twist that Ethan wasn't on the plane culminating in a big cliffhanger did a great job of ramping the tension up a notch. 

Deus Ex Machina: This was another big plot-centric episode for Lost, with an especially chaotic ending. First, there's the reveal that there weren't any other survivors on the flight. Then, there's Boone getting seriously injured. But best of all was that very memorable shot of light coming out of the hatch. What I especially loved about Deus Ex Machina however is how it's aged coming off of a pretty big reveal in Season 2, which left me wondering if the writers planned that part out from the start.

Do No Harm: Coming directly after the last episode, Do No Harm is easily the saddest Lost episode since Walkabout. I never really cared about Boone but his death was incredibly tragic, especially being juxtaposed against the Claire's long-awaited birth.

Exodus: Lost is well-known for having massive, movie-length and generally fantastic season finales as Exodus is no exception. After this whole season's build-up, this three-part finale is filled with payoffs, cliffhangers, and stunning twists. I love the first part which is filled with character work as the cast prepares to launch the raft, but of course the best stretch of the episode is Part 3, which has the big twist that the Others wanted Walt as well as the opening of the hatch.

Overall, Lost's first season doesn't progress the plot much and it can't quite reach the same heights as other seasons, but it does a fantastic job of setting the stage for the series to come by focusing on fleshing out the characters, while efficiently establishing a ton of intriguing mysteries to keep viewers hooked. Lost will have a lot of highs and lows from here on out, but this is hands down the most assured and consistently solid season of the bunch.

4/5 Stars